My art is based on ideas of existence, who we are and what makes us different to the next person, something that fascinates many. I aim to produce objects/images that intrigue the viewer that are accessible to an audience, to draw upon their personal interpretations and experiences to fully engage in the work. The strength of the work is in the subtle allusion rather than in an obvious manner.

I have worked with a variety of media - printmaking, digital print also installation, photography and light. Much of the work reflects upon the historical tradition of portraiture, as an important genre in art history and explores the potential of this in the 21st century. My work takes its cue from the classic format of photography that signals identity, that of portraiture but does so in the absence of the genre's major ingredient, the human face. Instead I use the body, language, land and memory.

Recent work involves a mapping of the body, referring to the common metaphor of body as landscape, prominent in the modernist dialogue on photography, yet without reference to a patriarchal tradition. Other work includes notions of identity in the sense of typical information asked for when a passport is issued, age, date of birth, place of birth etc. dual nationality. Visual information is stated, what we perceive from first meeting an individual - hair colour, build, height.

Future plans include research into speech, more specifically how individuals speak the same letters forming words in our own language but these are eminently different depending on our cultural and geographical upbringing. A quest to explore the many attributes that make each of us unique.